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多摩蘭坂6.5

类型: 动漫电影  河北省  2024-12-05

主演: 未知

导演: 未知

A whole film built around a single word: “Tamaran!” The first time we hear it is when Hinako’s father fulminates on the phone against a typhoon: “Tamaran!”,侦探学园q “unbearable!”. The word appears for the second time in the title of a book that a bookseller gives to a student who wants to read about “hometowns”: Tamaran Hill. The adjective has become a proper noun,多摩蘭坂 both “really evocative and profound”, according to the bookseller. On the platform and then on the train that takes her back home, Hinako reads. The reading immediately starts to reflect her own life, sentences lead her back to her origins, to the past of her family, to her sorrows. Relating and representing this reflection through a bouncing game between sentences and shots – such is the challenge of the film, which is taken up through the most generous, bold and rigorous type of plastic and narrative inventiveness. Words are brought to life, the past is revived with a pencil in the whiteness that brings together image and page, and that turns one into the other. How do you go from a single word to a film? Through a book and its reading, then; but also, through the series of books in which Hinako tracks down the word “tamaran” and its polysemy. The Japanese novel Tamaran Hill inspired Tadasuke Kotani’s film. Its author, Seiji Kuroi, makes an appearance, as a writer who confides his guiding principle to the student: “characters are made of words. Words have their own vitality, warmth and power. Characters arise from the actions of such words.” Because Kotani has dared taking the writer to his word, the film is far from a mere literary adaptation – it is a madly ambitious and fully mastered attempt to translate literature into film. Because “translation is a form” (W. Benjamin), and Tamaran Hill’s director belongs to the rare species of the true inventors of form. His invention? An action film whose hero is a word. (C.N.)

他盯了许久的小美人,好不容易白凤展生意上出了问题求到了他头上,这么好的机会,白纤纤一定要变成是他的。详情

多摩蘭坂

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剧情简介

多摩蘭坂 

A whole film built around a single word: “Tamaran!” The first time we hear it is when Hinako’s father fulminates on the phone against a typhoon: “Tamaran!”,侦探学园q “unbearable!”. The word appears for the second time in the title of a book that a bookseller gives to a student who wants to read about “hometowns”: Tamaran Hill. The adjective has become a proper noun,多摩蘭坂 both “really evocative and profound”, according to the bookseller. On the platform and then on the train that takes her back home, Hinako reads. The reading immediately starts to reflect her own life, sentences lead her back to her origins, to the past of her family, to her sorrows. Relating and representing this reflection through a bouncing game between sentences and shots – such is the challenge of the film, which is taken up through the most generous, bold and rigorous type of plastic and narrative inventiveness. Words are brought to life, the past is revived with a pencil in the whiteness that brings together image and page, and that turns one into the other. How do you go from a single word to a film? Through a book and its reading, then; but also, through the series of books in which Hinako tracks down the word “tamaran” and its polysemy. The Japanese novel Tamaran Hill inspired Tadasuke Kotani’s film. Its author, Seiji Kuroi, makes an appearance, as a writer who confides his guiding principle to the student: “characters are made of words. Words have their own vitality, warmth and power. Characters arise from the actions of such words.” Because Kotani has dared taking the writer to his word, the film is far from a mere literary adaptation – it is a madly ambitious and fully mastered attempt to translate literature into film. Because “translation is a form” (W. Benjamin), and Tamaran Hill’s director belongs to the rare species of the true inventors of form. His invention? An action film whose hero is a word. (C.N.)

“哦。幸亏我糊里糊涂也考上了,不然我们这小镇就只有你一个人考上了,那你多孤单啊。嘿嘿……”我笑了笑,其实伤口又被撒了一次盐。记忆中当年,父亲代表烟雨城林氏家族参加总坛比试时被总族天才林天辉强行让父亲下跪的屈辱,且用狠辣手段重创父亲林啸天,让父亲这些年修为不断下跌。温衣念不甚在意“这么点伤不碍事……那么好一对镯子,人家只让我陪她去走走,总不好不答应吧?”啊?两位大王,这,这话从何说起啊?小店开了这些年,一直是本分经营的啊!

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