当前位置 在线观看 镜子的另一面:纽波特民歌艺术节1963~1965

镜子的另一面:纽波特民歌艺术节1963~19655.3

类型: 热播排行  湖南省  2024-12-04

主演: Bob Dylan Joan Baez Judy 

导演: 未知

镜子的另一面:纽波特民歌艺术节1963~1965

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剧情简介

镜子的另一面:纽波特民歌艺术节1963~1965 "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about,加油妈妈在线观看免费观看 but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running,镜子的另一面:纽波特民歌艺术节1963~1965 and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.刚刚那伙人的目的地是个位置在市场中段的铺子,里面有刻章的摊子,也有裱画的大桌,在角落里有一张破写字台,一位抱着旧皮包的老太太看样子是想离开,却被个年轻人笑嘻嘻的拦着。自己的妈妈这是在做什么,他也只是一时生气没有来得及多想,他刚刚冷静下想了想,苏晴应该不是那样的人的!她要是想拿的话,那晚自己昏迷的时候,他就已经将自己身上值钱的东西摸个干净了!玉佩是她妈妈临终前交给她的,再三叮嘱不可以随便示人,更加不可以弄丢,不然会有生命危险,她怎么可能随随便便交出来?简父的声音就向从远处传来一般虚无缥缈,但每一个字她都听得清清楚楚。

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