牛头怪 Acclaimed Mexican-Canadian auteur Nicols Pereda returns to the Festival with Minotaur,牛头怪 a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda’s signature actor Gabino Rodrguez,公憩系列大全500 Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodrguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda’s recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio’s apartment into a strange "night without distance" in Lois Patio’s hallucinatory portrait of border smuggling in the Gers Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patio places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.薛家亲戚前所未有保持默契没有一个人站出来帮她说说话,薛菱没办法参加薛郁的葬礼,薛仁凯也不想见到她。毕竟尤露也是个女孩子,不管她在默雨的欺负和生活的重担面前变得有多么坚强,不管她的内心是多么强大,她总是希望自己能够在自己的母亲面前能够表现出自己的脆弱,她是多么希望自己能够得到母亲对自己的一点关怀。沈故目色一怔,就看着秦姝从地上强撑着爬起来,鲜血顺着脚腕往外落…钟文娟一愣,然后就跳了起来“你说什么?你现在跟我说你要毁婚?你是不是想毁了你弟弟 一辈子 才甘心啊?”
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