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法斯宾德:无索求地爱5.9

类型: 国产电影  贵州省  2024-04-09

主演: 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔 

导演: 未知

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德:无索求地爱 as well as a body of unique,慈禧秘传电影在线观看完整版免费 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

慕轻颜像吃了瘪的受气孩子,气的在原地直乱跳““喂!你别走啊。把话讲清楚了再走!”详情

法斯宾德:无索求地爱

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剧情简介

法斯宾德:无索求地爱 

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德:无索求地爱 as well as a body of unique,慈禧秘传电影在线观看完整版免费 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

陆深也就不再转弯抹角,道“你是真可怜,还是装可怜,亦或是出于喜欢还是利益接近我,我还是分的出的。”“叹只叹人生无常,命运嘲弄,怪只怪世事纷扰,情爱伤人。”这是她在古书上看到的文字,最能够体现她现在的心情。张恒正看着她,脸上带着千丝万缕的情绪,毕竟是青梅竹马喜欢了那么多年的恋人。“对啊,卖给你药的人是不是还说这药可以医治痔疮和感染?”雪绯问道。

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