麦吉的农场5.9
类型： 动作电影 新疆维吾尔自治区 2024-06-08
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,91嫩草综合天天久久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
此刻的易小小脸色苍白的吓人，像是常年待在阴暗地底，没有一丝阳光照耀的苍白，不是活人的苍白。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,91嫩草综合天天久久 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“哎呀，不错，不错。真的是万年罕见的天生武体！发了，发了！”摸到刘雪的骨时，老者脸色逐渐红润，激动的手舞足蹈。“哇，云贝儿真是太美了，看起来比电视上的还要漂亮，她简直太完美了！”可能因为激动，李封感到肩膀上的手力气出奇的大，疼的他也是龇牙例嘴的。因为顾眠与容修的婚姻，顾家也得到了一定的股份，虽然不多，但当时却救活了整个顾家的企业。
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