麦吉的农场8.4
类型： 恐怖电影 西藏自治区 2024-09-29
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,房奴试爱3 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“是吗？那你为什么还碰我？”笑意蛊然，江吟弯着眼睛看着他。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,房奴试爱3 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“既然这样，你就好好吸收一下……”李龙云话音刚落，不远处传来一阵少女的求救声抬手的瞬间，她惊讶的发现，那一向被她引以为傲的修长玉手，不知何时，竟变成了……“我早与你说过束慎徽往后是你的妹婿！你为何如此不知好歹！就不该把你接回府中，滚出去跪！”在听到楚天这句话后，那场务人员才反应过来，赶紧应了一声，便准备带着楚天见导演去。
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