麦吉的农场6.1
类型： 科幻电影 吉林省 2024-09-26
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,才两根手指就抖成这样了 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
媚霜冷颜道“睁开你那狗眼看清楚，这是丞相府二小姐回来了，还不速速退开！”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,才两根手指就抖成这样了 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
样难受的，那是个上了年纪的男人，他下了飞机就在停机坪上剧烈呕吐起来。面具男子一手禁锢着她，一手伸指拂到她的脸上，自她饱满的额头，沿着眉眼唇鼻，最后落在了那粉嫩水润的唇畔上，细细描绘，轻轻摩挲。男人对她的话置若罔闻！转个弯，车子开上了高速公路，以允许的最快速度平稳的行驶，舒宛白无力的哭喊都被消没在风雨声中……女孩眉目如画，肌肤如雪，小小的年龄，却是让人有种惊艳般的感觉。
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