从今天到明天 Based on an unknown Schnberg opera from 1929,坐便器之佐良娜 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.“快,带我走!”沈念糖伸出手,她已经开始生理性冒汗,但好在幻觉没有出来,要克制,要离开,立马离开这里。“今年的梨我看你是指定给不了我了,我还是再找一家供应商,然后坐等林老板赔我钱吧,按照合同上的条款,林老板的梨树因为个人种植出现问题,是需要十倍赔偿的,希望林老板提前做好准备。”“我听黑虎哥说今晚有个海上交易,交易的对方很好女色,你们说我姐姐姿色怎么样?”“相公呀,你相好都找上门了,你看你是跟她走呢,还是跟我在家好好的过日子呢。”
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