从今天到明天 Based on an unknown Schnberg opera from 1929,生物课老师拿自己做繁殖实验 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.宅子并不大,几间北屋,东西厢房,南墙底下有一个简单的棚子,应该是放杂物的地方。闻言,张良也不好真让陈倩倩等着,干脆扭头看向了旁边的工头。经过五年,傅景衍的声音也由清亮转为带着磁性的沉稳,唯一不变的,只有对她的冷淡。“你去五楼洗呗!我说让你和我一起洗了吗,你个基佬。”林天说道,走向了卫生间。
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