这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆
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这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆 Arare,玉浦团1hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.“怎么会呢，你不就在这里吗？在我的眼前，我不管你是人是鬼，你都是我的妹妹，我一定会照顾好你的。萧易看着身边的妹妹很高兴，因为在萧易自己晕倒的前一瞬间自己已经看不见萧雪的模样。望着不远处漆黑的书房，陈莫笙苍白指尖在瓷碗上摩挲“世子还在外面？”方云此时连说话的语气都变得结巴了起来，突如其来的“惊变”，让他一时间有些懵了。我朝着那嘉看去，发现她的表情有点紧张，住在一起几个月了，这是自己第一次发现原来她也会紧张，可见1301房间的客人对她有多么的重要，想到这一点，我心里不由的想再提点条件，也不知道她会不会答应。
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