这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆
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这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆 Arare,日本yellow片videohystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.“奶奶，我那时在工作，就快做好了，娃子来乱，我难免心浮气燥，所以反应过度了点。好啦，就是这样，我也没别的话好说，听凭奶奶你发落吧。”许志明坐正道顾明鸢神色自若的坐到了男人身旁，撇了他一眼，忍不住在心中暗暗嘀咕。他说，他的弱点只有一个戴琳琳，只有戴琳琳……那她呢，八年，原来她什么都不是。不会是她臆想出来的吧？自家柔柔弱弱的小姐怎么可能打人踢人呢？呵呵，呵呵，呵呵。
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