这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆 Arare,我和妻子的1778个故事hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.而他也早早金盆洗手,不再出手,可就在刚才,他再度引阴魂入绣,给本就羸弱不堪的身子骨又添了几笔阴债。想到自己闯他的殿宇被逮个正着,我一时两股战战,磕磕巴巴的同他说明了来意。但南宫潇湘对这些不感兴趣,她一心修炼,只想追寻武学的最高境界。在家传武学秘籍的修炼上,更加废寝忘食。姜酒酒来到了自己的部门,跟同事到了招呼,便在自己的工位上落了座。
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