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芳心封鎖8.5

类型: 国产电影  澳门特别行政区  2024-11-08

主演: Gila Almagor 

导演: 未知

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,嫩影院-永久入口 its mode of representation is almost always problematic. Gila Almagor in Tofano'芳心封鎖s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

乔悦彤感觉浑身的血液都一下子涌到了头上,她猛地一把推开了别墅大门。详情

芳心封鎖

高清  - 在线播放,无需安装播放器

剧情简介

芳心封鎖 

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,嫩影院-永久入口 its mode of representation is almost always problematic. Gila Almagor in Tofano'芳心封鎖s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

骤然间,姜昊口中一声清喝,脚下用力,“嗖”的一下,整个身子都行窜起,瞬间,超前猛扑了近丈。“嗤!”的一声,在距离林子宜还有不到五公分的距离,庞大的专用悍马猛然停下。还没等杨鹏辩解,阿彪便是一个耳光甩了出去“侮辱尤公子,该打!”“你不是已经猜到了吗?哦,对了知道你父母的车祸是怎么发生的吗?”刘助理蹲下来看着傅墨璃说。“就是他做的。”

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