麦吉的农场5.4
类型： 动作电影 内蒙古自治区 2024-09-11
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,午夜剧场1000场 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“进，去把翠荷院理出来。”云舒坐在镜子前，看着自己眼下青黑色的一圈，脑子里却一直回响着死前听到的那些话.......详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,午夜剧场1000场 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
无疑，滕飞雨将是一个可怕的对手，他的可怕也许不在战场上，而是在心里。俞南意不着痕迹后退，眼眸微垂，“不了，还有工作没做完。”朝廷要对突厥开战，这件事整个朝堂只有政事堂的几个宰辅、尚书知道，根本没有半点消息传出。床边的椅子上搭着一件看不清颜色的衣服，柳蔓儿猜想应该是原主的，她也顾不得看这件衣服脏不脏了，将它披在身上，走出了房门。
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